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Date: 2014
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/324918
Description: 11 page(s)
Reviewed: Reviewed
Date: 2013
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/264041
Description: This paper explores the processing of the singing voice in the context of live and recorded vocal performance in popular culture musics (PCM). In an age where technology not only assists audible perfo ... More
Reviewed: Reviewed
Date: 2013
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/264064
Description: Trajectories for future music education and innovation require understanding of here-and-now musical conduits and a range of technologies. Our research is situated in the contemporary music industries ... More
Reviewed: Reviewed
Date: 2012
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/185453
Description: OSynC is a set of standardised messages for communicating metrical information and rhythmic descriptors for use in networked computer-based music performance. It uses the Open Sound Control (OSC) prot ... More
Reviewed: Reviewed
Authors: Keith, Sarah
Date: 2011
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/144252
Description: This paper aims to discuss and question the separation between computational musicology research involving tonal musics, and the creative composition and generation of tonal musics. It considers how s ... More
Full Text: Full Text
Reviewed: Reviewed
Authors: Keith, Sarah
Date: 2009
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/155804
Description: Performing contemporary popular electronic music commonly incorporates audio playback, either from digital audio files or vinyl records. A software environment (Deviate) has been constructed, which em ... More
Reviewed: Reviewed
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