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Authors: Collins, Steve
Date: 2008
Language: eng
Resource Type: sound
Identifier: http://hdl.handle.net/1959.14/346340
Description: Six-track E.P. released by Melbourne-based band Konqistador, with three tracks remixed by Steve Collins under the name INfest8. Digital distribution via iTunes.
Authors: Collins, Steve
Date: 2008
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/41742
Description: This paper argues that copyright enforcement has spun out of control and the raison d’être of the law has shifted from being “an engine of free expression” (Harper & Row, Publishers, Inc. v. Nation En ... More
Full Text: Full Text
Reviewed: Reviewed
Authors: Collins, Steve
Date: 2008
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/86444
Reviewed: Reviewed
Authors: Collins, Steve
Date: 2007
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/41752
Full Text: Full Text
Reviewed: Reviewed
Authors: Collins, Steve
Date: 2006
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/19641
Full Text: Full Text
Reviewed: Reviewed
Authors: Collins, Steve
Date: 2005
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/41732
Description: This article examines the treatment of “copy” at the intersection of musical creativity and copyright law with regard to cover versions and sampling.
Full Text: Full Text
Reviewed: Reviewed
Date: 2004
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/46083
Description: The FTA Implementation Bill proposes that Australia’s copyright regime be harmonised with that of the USA. In particular, mooted changes include the length of copyright protection terms, the criminali ... More
Full Text: Full Text
Reviewed: Reviewed
Authors: Collins, Steve
Date: 2004
Language: eng
Resource Type: Scan : Journal Of Media Arts Culture Collection
Identifier: http://hdl.handle.net/1959.14/31230
Description: This work analyses a contemporary inflection of magic in the practice of “Chaos Magic”, in which the computer is appropriated as an instrument in magic rites.
Full Text: Full Text
Reviewed: Reviewed
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