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Date: 2013
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/283260
Description: In two studies, we investigated the capacity of compositional structure and performance expression to communicate the affective dimensions of valence and arousal. We expected that performance and comp... More
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Date: 2013
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/285695
Description: Many acoustic features convey emotion similarly in speech and music. Researchers have established that acoustic features such as pitch height, tempo, and intensity carry important emotional informatio... More
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Date: 2012
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/214185
Description: Most people communicate emotion through their voice, facial expressions, and gestures. However, it is assumed that only "experts" can communicate emotions in music. The authors have developed a comput... More
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Date: 2010
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/119299
Description: The importance of visual cues in speech perception is illustrated by the McGurk effect, whereby a speaker’s facial movements affect speech perception. The goal of the present study was to evaluate whe... More
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Date: 2007
Language: eng
Resource Type: conference paper abstract
Identifier: http://hdl.handle.net/1959.14/140495
Description: Visual cues inform speech perception and may also influence the perception of lyrics in song. The importance of visual cues to speech perception is seen in the McGurk effect, in which pairing incongru... More
Date: 2006
Language: eng
Resource Type: conference paper
Identifier: http://hdl.handle.net/1959.14/30002
Description: We examined whether visual and auditory cues to affect in music are integrated preattentively, beyond conscious control. In Experiment 1 participants judged the affective valence of audio-visual recor... More
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