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From the top : local difference and issues of heritage identity in the formation of music policy for Darwin
Guitar style, open tunings, and stringband music in Papua New Guinea
Hauntings : sound track representations of Papua New Guinea in "To have and to hold" and "In a savage land"
I'm a bluesman : the role of perception in the construction of blues music
Improvisation as conversation : a cross cultural perspective
Improvisation in a cross cultural context
Improvised music of India and Egypt on sarod and oud
Inventing the sarod : a cultural history
Jamming on the gumleaves in the bush "down under" : black tradition, white novelty?
Lee Kernaghan : marketing the boy from the bush
Localisation and local song repertoire on Norfolk Island
Love needs us
Making modernity audible : sarodiyas and the early recording industry
Managerial creativity: a study of artist management practices in the Australian popular music industry
Markets and margins