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| Title | Author/Creator | Date | Full Text | Reviewed | |
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| Learning the lunge : motility in crocodile country | Rossmanith, Kate | 2012 | — | 
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| The Work of judges : tough-on-crime advocates all rise | Rossmanith, Kate | 2012 | — | ||
| Space and actor formation | Filmer, Andrew; Rossmanith, Kate | 2011 |
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| Close at hand | Rossmanith, Kate | 2010 | — | ||
| Making theatre-making : fieldwork, rehearsal and performance-preparation | Rossmanith, Kate | 2009 | — |
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| Ivy league | Rossmanith, Kate | 2008 | — | ||
| On the edge | Rossmanith, Kate | 2008 | — | ||
| Performing confessions : making sense afterwards of field immersion | Rossmanith, Kate | 2008 | — |
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| Traditions and training in rehearsal practice | Rossmanith, Kate | 2008 | — |
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| We are cells : bioart, semi-livings, and visceral threat | Rossmanith, Kate | 2008 | — |
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| 'When the grinding starts' : negotiating touch in rehearsal | Rossmanith, Kate | 2008 |
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| Crocodile fears | Rossmanith, Kate | 2007 | — | ||
| Many me | Rossmanith, Kate | 2007 | — | ||
| Many me | Rossmanith, Kate | 2007 | — | ||
| Waterworld | Rossmanith, Kate | 2007 | — |
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