This article examines the tensions between written documents and their realisation as documentary films. Looking to examples from the work of Australian filmmakers, including Kriv Svenders, Tom Zubrycki and Rosemary Hesp, she asks: How can ‘writing’ best serve documentary?
Publisher version archived with the permission of the Editor, Scan, Department of Media, Macquarie University, NSW, Australia. This copy is available for individual, non-commercial use. Permission to reprint/republish this version for other uses must be obtained from the publisher.